B i o g r a p h y

English Bio



Loconsolo sailed with ease and grace through all pieces …Both artists showed exceptional skills, with Loconsolo particularly impressive when starting some of the songs solo and with a perfect pitch, without the help of the piano giving him the note that most singers need to start.” 

– Jean Claude Elias, The Jordan Times, AMMAN

Jazz vocalist Emiliano Loconsolo has been praised for his refined artistry and expressive versatility. The Jordan Times wrote that he “sailed with ease and grace through all pieces and showed exceptional skills,” while pianist Hank Jones described him as “a young man who has the potential to rise to the very top of his field.”

Trained in both jazz and classical voice, Loconsolo merges tenor and countertenor registers into a distinctive, fluid sound that bridges jazz, classical, and contemporary styles. His repertoire spans the American Songbook, works by Billy Strayhorn and Charles Mingus, contemporary art songs, and rarely heard Italian folk music.

Italiano



“Sofisticato, elegante, voce delicata, quasi fragile alla Chet Baker, affascinante nelle melodie vocali e nello swing di velluto” 

– Afo Sartori, Il Tirreno, ITALY

Il cantante jazz Emiliano Loconsolo ha ottenuto riconoscimenti internazionali per la raffinatezza musicale, la versatilità e la profondità espressiva della sua voce. The Jordan Times ha scritto che “Loconsolo sailed with ease and grace through all pieces and showed exceptional skills”, mentre il leggendario pianista Hank Jones lo ha definito “a young man who has the potential to rise to the very top of his field”.

Formatosi in canto jazz e classico, Loconsolo ha sviluppato una tecnica vocale unica, che fonde con naturalezza i registri di tenore e controtenore dando vita a un timbro ibrido, flessibile e personale, capace di trovare spazio anche nella musica contemporanea. Il suo repertorio spazia dai classici dell’American Songbook di Cole Porter, George Gershwin, Duke Ellington e Billy Strayhorn ai Contemporary Art Songs di Steve Lacy e Kurt Weill, dalle reinterpretazioni del repertorio tradizionale napoletano di Roberto Murolo alle colonne sonore di Ennio Morricone, Nino Rota e Nicola Piovani.